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Online films

  • Visa de censure X (1968)
    de Pierre Clémenti
  • Corps Humain Le (2006)
    de Alexandre Larose
  • WWUE (2001)
    de Alexis Constantin
  • Homage to Magritte (1974)
    de Anita Thacher
  • Element (1973)
    de Amy Greenfield
  • In contextus (1976)
    de Stéphane Marti
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    Audiovisual ressources
    Festival 2011

    - Bande annonce ● 21e Festival des cinémas différents de Paris (2-13 oct. 2019) par Fabien Rennet

    FESTIVAL DES CINÉMAS DIFFÉRENTS ET EXPÉRIMENTAUX DE PARIS

    21ème édition (2-13 octobre 2019)


    Le Grand Action | Centre Pompidou
    Le Shakirail | Ciné 104 | DOC |
    Cinéma l'Étoile | Institut finlandais | La Halle des Épinettes
    Bande annonce
    - Patrice Kirchhofer (1953-2019) par Raphaël Minnesota

    Patrice Kirchhofer est un cinéaste expérimental français, il était aussi un ami, un pair et un mentor.
    Patrice Kirchhofer doit être le seul artiste au monde à avoir refusé de vendre ses œuvres au Centre Pompidou.

    lire la suite du texte de Raphaël Minnesota
    - DOMINIQUE NOGUEZ (1942-2019) par Raphaël Bassan

    Notre ami Dominique Noguez est mort, à 77 ans, dans la nuit du 14 au 15 mars d’un cancer.
    C’est l’homme, le militant, le penseur, le dandy qui a été à la base de la naissance et du développement, en France, d’une culture spécifique liée au cinéma expérimental.
    Lire le texte de Raphaël Bassan
    - CATALOGUE CJC 2018 par le CJC

    Un aperçu des films ajoutés au catalogue du Collectif Jeune Cinéma en 2018.
    Catalogue 2018
    - Jacques Monory (1924-2018) par Jacques Monory

    Nous apprenons avec tristesse le décès de Jacques Monory, peintre, photographe, cinéaste, survenu le 17 octobre dernier.
    Tout notre soutien à ses proches.
    EX (1968)
    - Déchets, rebuts, hors de notre vue ! - Brieuc Schieb par Brieuc Schieb

    On a demandé cet été aux réalisateurs proches du Collectif Jeune Cinéma une courte vidéo sur le thème de cette année : les déchets, les rebuts."

    VIDEO D'ANNIVERSAIRE, Brieuc Schieb (France, 2018, numérique, 2'30)

    [Nouveaux dépôts]


    • Au-delà du souvenir
      de Alain Mazars
      1986 - 01:04:00 - 16mm
      Il n'y a pas de synopsis anglais pour ce film

    • L’outremer
      de Florian Maricourt
      2019 - 00:07:00 - Fichier Quicktime
      Il n'y a pas de synopsis anglais pour ce film

    • La Petite Nuit
      de Calypso Debrot
      2019 - 00:07:00 - Fichier Quicktime - on line
      Il n'y a pas de synopsis anglais pour ce film

    • La Maison Goétie
      de Calypso Debrot
      2019 - 00:05:43 - Fichier Quicktime - on line
      Il n'y a pas de synopsis anglais pour ce film

    • Actus
      de Alain Mazars
      1984 - 00:23:00 - Fichier Quicktime
      Il n'y a pas de synopsis anglais pour ce film

    • Volcano: what does a lake...
      de Diana Vidrascu
      2019 - 00:21:00 - Fichier Quicktime
      Volcanoes erupt from the depths of the boiling earth to the surface of the celluloid film, to create a new abstract cinematographic language.

    • Empty Nightclub
      de Ben Edelberg
      2017 - 00:08:00 - Fichier Quicktime - on line
      Empty Nightclub is a maze of urban streets, dark corridors and dance floors. The video weaves scenes from Orlando, New York, Chicago and Toronto to take the viewer on a mysterious journey. Are we looking for the party or are we desperately searching for the exit?

    • Niolam Ja Se Kochaneczke
      de Katarzyna Perlak
      2016 - 00:10:12 - Fichier Quicktime - on line
      Niolam Ja Se Kochaneczke explores potentialities of queer utopias, while looking at the relationship between history, ‘national values’ and power structures. Through the work I revisited Eastern European folk traditions and whilst employing feminist and queer reading I questioned why queer love has never been preserved and celebrated in the folk history. I reclaimed these stories by subverting the narrative of ‘straight’ love songs to represent queer love stories instead. My aim was to problematize how history is written and tradition is represented, often only to sustain the power structures that claim it ‘objective’. I intended to encourage the viewer to consider and experience history as a discourse made out of multiple, overlapping and contesting narratives rather than a single, fixed entity. I questioned what the “national values” are / are claimed to be and look at the ‘fragility’ of national identity, threatened so easily by ‘otherness’ and queer subjectivities. Niolam Ja Se Kochaneczke relocates queerness both historically and geographically. Queerness In Eastern Europe is often perceived as a contemporary phenomenon that arrived from Western Europe, rather than something that always had its presence. I want to acknowledge its historical place and reclaim histories that were repressed. As well as this I want to speak of queerness in context of rural communities, as too often it is considered only within the urban setting. The recordings were done in a traditional rural setting in East of Poland (Roztocze and Karpaty) with folk singers singing both in Polish and Lemkov (Ukrainian dialect).

    • Where is my body?
      de Julian Pedraza
      2018 - 00:07:35 - Fichier Quicktime
      How has television influenced the formation of our individual and collective identity? Are television melodramas actually the antithesis of sentimental education? The true mediatic moral is revealed here, in a countercultural zapping that simultaneously weaves and breaks the canons and clichés that prevail in our society, where it is still difficult to find a space for diversity. Since the 80's, television programs in Latin America have been dominated by telenovelas, an audiovisual format that represents, for the average viewer, an ideal life in which sentimental relationships have happy endings and antagonistic characters pay for their misdeeds. But how has this television format really influenced the perception of our identity? And the roles that men and women play in real life? This audiovisual remix tries to unveil the dogma intrinsic to the television melodrama and to that mediatic morality where many clichés take a clear form, spreading virally in societies that question little or nothing about the information that the world of entertainment imposes on them.

    • Nou Voix
      de Maxime Jean-Baptiste
      2018 - 00:14:27 - Fichier Quicktime
      Nou Voix is an autobiographical video departing from the participation of Maxime's father, as a Guyanese figurant, in the movie Jean Galmot aventurier (1990), which deals with the history of French Guiana. By re-enacting a part of the film, Maxime and his father try to amplify other kinds of voices that have been unheard in the original French film.

    Ressources audiovisuelles


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