[Nouveaux dépôts]

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  Au-delà du souvenir
  de Alain Mazars
  

  1986 - 01:04:00 - 16mm
  Il n'y a pas de synopsis anglais pour ce film
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  L’outremer
  de Florian Maricourt
  

  2019 - 00:07:00 - Fichier Quicktime
  Il n'y a pas de synopsis anglais pour ce film
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  La Petite Nuit
  de Calypso Debrot
  

  2019 - 00:07:00 - Fichier Quicktime - on line
  Il n'y a pas de synopsis anglais pour ce film
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  La Maison Goétie
  de Calypso Debrot
  

  2019 - 00:05:43 - Fichier Quicktime - on line
  Il n'y a pas de synopsis anglais pour ce film
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  Actus
  de Alain Mazars
  

  1984 - 00:23:00 - Fichier Quicktime
  Il n'y a pas de synopsis anglais pour ce film
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  Volcano: what does a lake...
  de Diana Vidrascu
  

  2019 - 00:21:00 - Fichier Quicktime
  Volcanoes erupt from the depths of the boiling earth to the surface of the celluloid film, to create a new abstract cinematographic language.
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  Empty Nightclub
  de Ben Edelberg
  

  2017 - 00:08:00 - Fichier Quicktime - on line
  Empty Nightclub is a maze of urban streets, dark corridors and dance floors. The video weaves scenes from Orlando, New York, Chicago and Toronto to take the viewer on a mysterious journey. Are we looking for the party or are we desperately searching for the exit?
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  Niolam Ja Se Kochaneczke
  de Katarzyna Perlak
  

  2016 - 00:10:12 - Fichier Quicktime - on line
  Niolam Ja Se Kochaneczke explores potentialities of queer utopias, while looking at the relationship between history, ‘national values’ and power structures. Through the work I revisited Eastern European folk traditions and whilst employing feminist and queer reading I questioned why queer love has never been preserved and celebrated in the folk history. I reclaimed these stories by subverting the narrative of ‘straight’ love songs to represent queer love stories instead. My aim was to problematize how history is written and tradition is represented, often only to sustain the power structures that claim it ‘objective’. I intended to encourage the viewer to consider and experience history as a discourse made out of multiple, overlapping and contesting narratives rather than a single, fixed entity. I questioned what the “national values” are / are claimed to be and look at the ‘fragility’ of national identity, threatened so easily by ‘otherness’ and queer subjectivities. Niolam Ja Se Kochaneczke relocates queerness both historically and geographically. Queerness In Eastern Europe is often perceived as a contemporary phenomenon that arrived from Western Europe, rather than something that always had its presence. I want to acknowledge its historical place and reclaim histories that were repressed. As well as this I want to speak of queerness in context of rural communities, as too often it is considered only within the urban setting. The recordings were done in a traditional rural setting in East of Poland (Roztocze and Karpaty) with folk singers singing both in Polish and Lemkov (Ukrainian dialect).
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  Where is my body?
  de Julian Pedraza
  

  2018 - 00:07:35 - Fichier Quicktime
  How has television influenced the formation of our individual and collective identity? Are television melodramas actually the antithesis of sentimental education? The true mediatic moral is revealed here, in a countercultural zapping that simultaneously weaves and breaks the canons and clichés that prevail in our society, where it is still difficult to find a space for diversity. Since the 80's, television programs in Latin America have been dominated by telenovelas, an audiovisual format that represents, for the average viewer, an ideal life in which sentimental relationships have happy endings and antagonistic characters pay for their misdeeds. But how has this television format really influenced the perception of our identity? And the roles that men and women play in real life? This audiovisual remix tries to unveil the dogma intrinsic to the television melodrama and to that mediatic morality where many clichés take a clear form, spreading virally in societies that question little or nothing about the information that the world of entertainment imposes on them.
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  Nou Voix
  de Maxime Jean-Baptiste
  

  2018 - 00:14:27 - Fichier Quicktime
  Nou Voix is an autobiographical video departing from the participation of Maxime's father, as a Guyanese figurant, in the movie Jean Galmot aventurier (1990), which deals with the history of French Guiana. By re-enacting a part of the film, Maxime and his father try to amplify other kinds of voices that have been unheard in the original French film.