[Nouveaux dépôts]

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  Les Brebis enragées
  de Jean-Pierre Bastid
  

  - -
  Il n'y a pas de synopsis anglais pour ce film
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  ¡PìFIES!
  de Ignacio Tamarit
  

  2016 - 00:04:00 - 16mm
  ¡PíFIES! (from the Spanish slang, "mistake") is the kind of film I would like to see when I screen home-movies, but that I never end up finding. From clippings of my own collection of home- movies, I built a rhythmic collage where at first the focus was placed on the films technical problems: violent pans, out of focus, insane zoom-ins, abrupt cuts, or what would have been discarded by the autor instead of being kept in the final cut. However, ¡PíFIES! ends up being an eulogy to home-movie filmmaking, to the construction of these amateur handmade films, to the filmmakers who shoot their families, their exotic trips, their daily lives so that they are remembered.
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  Light Journey
  de Richard Gruetter
  

  1976 - 00:07:00 - 16mm
  Il n'y a pas de synopsis anglais pour ce film
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  Gemini
  de Jen Debauche / Manah Depauw /
  

  2009 - 00:06:05 - Fichier Quicktime
  Synopsis
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  Body Split
  de Derek Woolfenden
  

  2005 - 00:16:00 - Fichier Quicktime
  Synopsis
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  Yo-yo Rated
  de Derek Woolfenden
  

  2006 - 00:20:00 - Fichier Quicktime
  Synopsis
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  Que Sera Sera
  de Derek Woolfenden
  

  2004 - 00:07:00 - Fichier Quicktime
  A cynical, quasi-misanthropic film which, despite its childish appearance, manages to enumerate and decline some of the bestial mythologico-historical collectivities which have emerged from the collective imagination: Collodi's donkeys, the rats of Hamelin, Circe's pigs, Panurge's sheep, Pavlov's dogs. Contemporary television resembles a gigantic farm; the lure of success and fame which it offers is analogous to Pinocchio's experience when he was assured that he would never have to work again (lifelong entertainment) - and was transformed into a donkey! Individuality does not exist; Don Quichotte is not alone in believing in windmills.
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  Mirodrome (Peepshow 1 et ...
  de Derek Woolfenden
  

  2005 - 00:08:00 - Fichier Quicktime
  A diptych whose two panels merge in an exterior-to-interior movement: billboards and neon signs solicit passersby and transform them into spectators of the boulevard's numerous and infernal sex dens, themselves a pure product of consumerism - an indissociable element of contemporary orgasmic pleasure. The first panel (Peep Show 1) takes a playful and ironic approach to the subject, while the second (Peep Show 2) - darker, dirtier and more desperate - applies a more chaotically incandescent treatment. Nocturnal wanderings, both internal and external; the critique of an existing urban landscape (the sex-shops of my neighbourhood, which stretches from Place Pigalle to Place Clichy) combined with the critique of a fictional landscape (the sex-shops of of New York and Los Angeles). These cinematic wanderings are the pretext for an inventory of the representation of the female body, as created by the masculine collective imagination and its libidinal ego - with a dose of cynicism and irony thrown in for good measure.
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  Vigilanti Cura
  de Derek Woolfenden
  

  2005 - 00:20:00 - Fichier Quicktime
  On the 29th of June, 1936, Pius XI addressed a pontifical encyclical entitled "Vigilanti Cura" to all the Catholic bishops in the United States. This encyclical was dedicated to "The Motion Picture" and justified his intervention by "the lamentable progress of the motion picture art and industry in the portrayal of sin and vice". I've appropriated the title of his encyclical for my film, putting it to a completely different use to that originally intended. The 'photogenic quality' of the Latin terminology has, however, been preserved and, as per Adorno: "like a neon light which has just been switched on, the commercial and promotional nature of contemporary culture glows brightly". Vigilanti Cura is an irreverent film; insolent and deliberately confusing; a grab-bag of immorality. The montage combines a range of archival imagery from Humanite magazine with images sourced from the media (the military parade of the 14th of July, the current sorry crop of political celebrities ...) or from the cinema (the automatic writing of a puzzle composed of motifs borrowed from existing films). Vigilanti Cura ... or merely a tacit admission of the downfall of contemporary man, drowning in a sea of political, social and religious fundamentalisms. Where is he to be found? Locked in a vis-a-vis with depression and ego. Psychoanalysis no longer serves as a pretext for the dissolution of sexual and social taboos; it now provokes withdrawal into an auto-reflexive isolation, to the extent that societal problems get frozen in the mirror of Auto-Medusification. The mirror has become our idol - let's destroy it!
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  L’homme qui danse
  de Stéphane Marti
  

  2007 - 00:15:00 - Fichier Quicktime
  Il n'y a pas de synopsis anglais pour ce film